On “Sorry Not Sorry,” he glimpses guilt and helplessness about not leveraging his status for Black liberation: “I can’t save niggas/I’m not Superman, but I could try.” On “What a Day,” he shouts out Black women, especially the ones who raised him. He brings back his love for ’80s synth-funk on “Boyfriend, Girlfriend” and taps into New Orleans bounce and Southern trap across “Dogtooth” and “Stuntman.” A$AP Rocky gushes about spoiling his lady on “Wharf Talk,” while Tyler croons with the angst of his Flower Boy and IGOR eras. The breezy and soulful “What a Day” and “Heaven to Me” bring in a John Legend sample and an unreleased Madlib deep cut to complement the album’s leisurely, jet-setting atmosphere.Īs he adjusts to the altitude, Tyler’s position as a community leader presents itself as a new source of anxiety. The stylistic adventurousness of The Estate Sale offers insight into the sounds that would become Call Me If You Get Lost. Tyler’s own biting, almost Pusha T-like inflection over the New Boyz-type beat could’ve spawned a dance trend in the early 2010s. Fellow Californian Vince Staples rides into “Stuntman” like he’s behind the wheel of a monster truck: “No, you can’t be my girl, bitch, are you dumb?” If you have beef, he suggests you duel him in Milan-if you can afford the flight, that is. As he’s evolved in his artistry, he’s replaced shock value with boasts whose imagination and precision-“I got a jelly bean, Kelly green Rolls/And the guts off-white like a jalapeño”-are almost outdone by the Goblin-like freneticism of his delivery. ![]() It’s evolution in real time.In his early years, Tyler could be something of an edgelord, delivering violent lyrics about sexual assault through a mischievous grin. Masterpiece isn’t enough to describe the weight of the track’s artistic importance. Inner voices cloud his thoughts, yet “SORRY NOT SORRY” sees Tyler break through in his biggest way yet. Everything happens for a reason, as Tyler’s true self - or shirtless Tyler - sees him speak on what he really feels. It peers into the past and present of what Tyler was and what he’s become, not only sorry for the things he’s done, but unapologetic for what he’s accomplished. There’s Flower Boy Tyler apologizing to “the guys I had to hide,” while GOBLIN Tyler raps irrevocably menacing bars that mimics his debut tone. Perhaps the most captivating video in his entire catalog, “SORRY NOT SORRY” sees Tyler apologizing to each of his alter-egos, all dressed in the album attire corresponding to the era. On the career-defining “SORRY NOT SORRY,” Tyler’s ability to craft timeless music - in whatever era he’s in - is undoubted. Tyler’s in a league of his own, and on “DOGTOOTH,” it’s more than apparent.įor people that say Tyler changed, one thing hasn’t: His creativity. Pusha T - however, he dispelled any sort of rumor before it could spread. Tyler’s head-turning bars bleed into the instantly quotable “she can ride my face, I don’t want nothing in return.” He oozes personality on gung-ho raps like: “And will I ever fall in love again? I can’t confirm / I’m tryna buy my neighbor house and turn it to a yard / If you don’t know my daughter name, then we ain’t really dogs.” These choice bars had fans thinking Tyler was hiding a child - a la Drake v. Looking for ways to get rid of some things,” he says in the narrative-driven visual. The GOLF le FLEUR mogul’s CMIYGL extension came off the back of its first track “DOGTOOTH.” An instant classic filled with stunning cinematography (directed by Tyler himself), releasing “Estate Sale” nearly two years after CMIYGL kept the thrill ride going for T. Other new cuts in “WHAT A DAY” (produced by Madlib) and “ HEAVEN TO ME” - which touts production credits from Kanye West - not only impress, but cement Tyler’s status as rap’s current GOAT. ![]() “ DOGTOOTH” (March 27) and “ SORRY NOT SORRY” (March 29) led in the full album earlier this week, as CMIYGL: The Estate Sale features A$AP Rocky (“WHARF TALK”), YG (“BOYFRIEND, GIRLFRIEND)” and Vince Staples (“STUNTMAN”). ![]() “So I’ve decided to put a few of them out.” The record sold 70,000 first-week units, per Hits Daily Double.Īlongside his co-pilot DJ Drama, Baudelaire is back in action. “Some of those songs I really love, and knew they would never see the light of day,” he wrote on Twitter. Unveiling “a collection of songs that didn’t make the original album,” Tyler gifted fans with eight previously unreleased tracks on Friday (March 31). The original record - which dropped in June 2021 and featured Lil Wayne, Brent Faiyaz, Lil Uzi Vert and more - is one of Tyler’s most beloved and polished LPs to date.
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